A week last Thursday night….I went to see  As You Like It at Keswick’s Theatre By The Lake. It’s the first Shakespeare play I ever saw on stage, at Birmingham Rep, with, seemingly, half the cast of Crossroads in the company. Good old Burton Boys Grammar School (I’m being ironic, you should know), had gone to pains to teach us that when we call a Shakespeare play ‘comic’, we don’t mean it’s funny. Birmingham Rep blew that piece of disinformation right out of the water, and won me over to Shakespeare despite everything that the Education system threw at him.

It must be twenty years since I’d seen the play, and last night I was amazed at how much of it – almost every line – came back to me, though I couldn’t have written down more than a few of them without that prompting. It’s remained my favourite play, though I can see it’s not the slickest (and yes, A Midsummer Night’s Dream pushes a hard second).

The TBTL production was as good as I had come to expect, and celebrated the essential romanticism of the play. Jessica Hayles made a fabulous Rosalind – all Rosalinds should be fabulous. I can remember Eileen Atkins in her Ganymede jeans, and still have the theatre programme somewhere! But Layo-Christina Akinlude as Celia/Aliena gave a master-class in how to play the part that is on stage a lot of the time, but has few lines and very little action. With nods, head-shakes, grins, eye-rolls and other micro-movements she mirrored, re-inforced and nudged our responses to what the other characters were saying and doing. It’s a fine line sort of part to walk between too much and not enough, and she was absolutely spot on.

One slight change to Shakespeare’s script puzzled me. An exchange of words, very near to the end, one that you wouldn’t notice was missing unless you were expecting to hear it, had been excised; like a sprig of bitter herb left out of a gourmet dish.

But Bravo! Theatre ByThe Lake, cast and crew.

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